The idea of superiority of permanence over change has been entrenched in the European philosophy for a long time, but what if transience is something more real than eternity? In the universe, everything changes and tends to entropy. Matter disintegrates, elements combine into new chemical compounds, stars explode and their light disappears in the abyss of the universe…
Zieta Studio’s Transitions Collection is the answer to the inevitable and constant striving for change: of light becoming a shade, of colours becoming darkness… This collection of mirrors is the effect of experiments with various shades of transparent lacquers. Applied to steel polished surfaces they change the minimalist appearance of RONDO, OKO and TAFLA, while still maintaining their reflective character.
FINISH
Dark Matter
Red Rubin
DARK MATTER
A transition between deep dark black colour and transparent lacquer creates an effect of colour dispersion from the edges of the object to its center. From black, to grey tones, the colour disappears and leaves way to the pure polished inox steel.
photo Vytautas Dargis
photo Tengyart
photo Weronika Trojanowska, scenography Ula Kaczmarek
photo Solen Feyissa
photo Fabian Kozdon
Inspired by the remnants of matter circulating in the endless space of the universe, Dark Matter mirrors open up the gates to the cosmic visions. The Dark Matter mirror reflects and absorbs light at the same time. It is a variation of two basic visual elements: light and darkness.
photo Weronika Trojanowska, scenography Ula Kaczmarek
photo Weronika Trojanowska, scenography Ula Kaczmarek
RED RUBIN
Ruby red in the center and dark, almost black at the edges – the Red Rubin mirrors refer to the colour of the planet Mars and to one of the most precious cardinal gemstones on the planet Earth, the blood-red coloured ruby.
photo Aldebaran S
photo Weronika Trojanowska, scenography Ula Kaczmarek
photo Solen Feyissa
photo Yu Kato
photo Jason D
Mirrors in this extravagant and noble colour are gems in their own terms. The mixture of organic shapes with the mineral corundum’s colour gives them a look of giant stones manufactured out of a pure joy of looking at them and the mysterious reflections they create.
photo Weronika Trojanowska, scenography Ula Kaczmarek
photo Weronika Trojanowska, scenography Ula Kaczmarek
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