The bilingual publication presents the effect of this surprising “invasion” of the museum. The texts included in it are interwoven with the tale of the objects of Oskar Zięta and Zieta Studio included in the exhibition. Photographs from the show itself are juxtaposed with shots from sessions which Zięta invited Alicja Kielan, Laura Korzeniowska and Kasia Mateńska to carry out. In his introduction, Maciej Łagiewski, director of the City Museum of Wrocław, ponders whether the objects and sculptures by Oskar Zięta withstood the collision with historic artisanship. Magdalena Szmida-Półbratek discusses the history of the Royal Palace. Anna Diduch writes about the exhibition as a spatiotemporal performance in the context of similar experiments with time in art and contemporary culture. Zięta’s mirrored objects serve as the leitmotif for these narratives, reflecting the past and leading into the future.